Friday, September 25, 2009
"Building Community through the Arts" October 1st Event
At the Saturday night concert, we're very excited that Mayor Ed Schock, his wife Karen and Congressman Bill Foster will be joining us to celebrate our opening weekend and the "Year of the Symphony" which was "declared" at our FoxFire concert last month. And, we look forward to welcoming a large group of Sherman doctors to our Sunday concert - also anticipating the new Sherman Hospital opening which will be celebrated in December with a specially-commissioned brass quintet piece by Elgin native composer Daniel Brewbaker. Stay tuned for more information on that event.
Hope to see everyone at the BAH or the ESO concerts next weekend - happy Fall!
Wednesday, September 23, 2009
Music Affects Brainwaves...Really!
So why are music and the other arts important in education? Well, there is growing evidence that listening to music and practicing the other arts disciplines (dance and visual art) can actually restructure your neurological pathways. Really! Chicago Public Radio just did a bit about this a few weeks ago. The notion that listening to music can improve test scores is to some extent being debunked; however, the long-term effect of participation in the arts is what is important to the argument for the arts. What scientists are finding is that involvement in the arts helps students learn social, emotional and problem solving skills easier than without the arts.
I have a hard time wrapping MY brain around this rather abstract concept, but maybe that's because it seems simple and obvious, as it might to anyone who has studied or appreciated one of the arts. I actually took a class in college that focused on philosophical writings from ancient Greece to the present studying why music is important to society. This has been a question humankind has been asking itself for thousands of years. With these new brain-oriented studies maybe we're getting closer to answering the question...but maybe the point is that civilization has been pondering this almost literally forever and hasn't been able to clearly define why we need music. The fact is, we're still talking about it, and music is still here despite those who think it's an unnecessary discipline.
So whatever music does to affect the biology of our sensitive systems we need to continue to teach and spread an appreciation for it. If you've ever been touched by music of any kind you know what it can do without defining it in technical terms.
Wednesday, September 16, 2009
Getting Started
My favorite part about this season is the launch of the Family Fun Series. The series is comprised of three hour long concerts - in November, January and April - with an hour and a half of activities for kids and their parents in the lobby of Hemmens Theatre. And it is my job to make those activities happen. It seems fairly simple, and it is, but there is always that moment when you wonder if anything will happen at all because nothing seems to happen for a long while. And then, as happened this week, it all suddenly snaps into place. Let me tell you, it is a GREAT feeling when that finally happens. Don't worry...I wasn't worried...but it is a great feeling.
So what happened that caused me to give a huge sigh of relief? Well, let's see. Several of the partners who I had hoped would sign on finally did - we got the Chicago Wolves mascot, "Skates", for entertainment before the first concert, as well as their fantastic prize package for the raffle; Gail Borden Public Library District has everything they need and will have a display up in their lobby for us around mid-October; items for the goody bags are ordered; we've got permission to use enormous plywood pictures of animals playing instruments from the City of Elgin's Foxfire Fest; and best of all - School District U-46 will be taking charge of the arts and crafts area, dance center and will even run a drumming circle for us during the second Family concert which features our Percussion section!!! (I told you a lot happened this week)
So this is the fun of getting started: watching all of your best laid plans come together and finally start to mesh and make sense. It's like a dense fog suddenly clears and you can see an enormous castle that's been there in front of you the whole time. I'd better get back to work - I have to make sure I'm not seeing things...
Tuesday, September 15, 2009
Doin' my job
One of the most pleasant requirements of my job is that I need to listen to concerts. (Everybody needs to keep up. Scientists go to conferences, accountants take seminars, and hopefully my dentist is keeping up with his journals.) Mostly I listen to evaluate soloists. (Mind you, I don’t make the final decisions about soloists. I’m more like a scout looking for talent and bringing recommendations back to our music director and artistic committee.) Sure, recordings are available, but they can’t replace live performances where you get to see the soloist and feel how the audience responds.
Last Wednesday I heard a wonderful violinist, Lindsay Deutsch, at the Chicago Cultural Center. The recital was part of the Dame Myra Hess series that takes place from 12:15 – 1:00 every Wednesday. And it’s free!
Then on Thursday I went to the Art Institute to catch a Mexican pianist, Mauricio Náder in recital.
A very cool—and coincidental—thing about both recitals was that they featured a lot of short pieces. Ms. Deutsch played Winter by Astor Piazzolla, an homage to Vivaldi’s Four Seasons, and an amazing transcription of Gershwin’s Rhapsody in Blue. Fun and amazing! Two words in short supply in the classical world.
Ditto for Mr. Náder. The first half of his recital was full of beautifully played miniatures that you might occasionally hear as an encore. And by composers I don’t know, such as Armengol, Castro and Morales.
The recitals got me to thinking that it’s a shame our concert life is dominated by big, weighty works. Don’t get me wrong, an extended work can be wonderful, even amazing. But they are rarely fun. What’s wrong with fun? Why have short pieces become practically illegal on concert programs? And for that matter, why do we always have to hear the whole symphony? What’s wrong with occasionally performing a favorite movement in concert?
Anyway, these are two musicians I was happy to discover. I look forward to hearing them again and possibly bringing them to Elgin to play (maybe some short pieces) with our orchestra.
Best,
John
Thursday, September 10, 2009
Here's a preview of The Romeros, the ESO's Opening Weekend Guest Artists!
A veritable institution in the world of classical music, the Romeros’ quartet has dazzled countless audiences and won the raves of reviewers worldwide. Celedonio Romero, founder and creator of The Romeros guitar dynasty, died on May 8, 1996 in San Diego, California. As the family says, "the spirit of the quartet is him; all our concerts now will be to pay homage to him". His sons and grandsons continue Celedonio's legacy.Some fortunate musicians are able to rise to the peak of a musical art form; some very few musicians are able to originate an art form. The Romeros have achieved both. In a lengthy feature article, The New York Times said: "Collectively, they are the only classical guitar quartet of real stature in the world today; in fact, they virtually invented the format."The legendary Celedonio Romero, with his sons Celin, Pepe and Angel, founded the internationally renowned ensemble known to millions as "The Royal Family of the Guitar". With the introduction of Celin's son, Celino, into the quartet in 1990, and Angel's son Lito joining his father in duo recitals, The Romeros encompass three generations of concert artists. To have so many virtuosi of the same instrument in one family is unique in the world of musical performance, and in the realm of the classical guitar it is absolutely without precedent.Those who are privileged to hear these world-renowned musicians perform have the delightful opportunity to experience a musical phenomenon:
"One of the enduring mysteries of musical talent is how skills seem to flow genetically from musical parent to musical child. In the Romero family the flow has been swift and unimpeded. The virtuosity of the four Romeros was uniformly solid and finely considered, as if these techniques had derived from a single mold" (The New York Times).
Celedonio Romero was a renowned soloist in Franco's Spain. As each of his sons reached the age of two or three, they began learning the guitar from their father. All of his sons had made their debuts in Spain by the time they were seven years old. In 1957, the family immigrated to the United States where "The Romeros" walked onto the world stage as its first guitar quartet while the boys were still in their teens. Since then, The Romeros have given hundreds of concerts all over the world and have consistently dazzled audiences everywhere and inspired enthusiastic praise from critics coast to coast. To this day they continue to produce extraordinary music. The sterling reputation of the Romeros has been continually confirmed by repeat appearances with virtually every major symphony orchestra in the United States including those of Boston, Cleveland, Chicago, Philadelphia, Los Angeles, San Francisco, Pittsburgh, Detroit and many others. The family has twice been invited to the White House; in 1983 they appeared at the Vatican in a special concert for His Holiness Pope John Paul II, and in 1986 they performed for His Royal Highness Prince Charles, Prince of Wales. Regular festival appearances include the Hollywood Bowl, Blossom, Wolf Trap, Saratoga, Flagstaff and Garden State. After a performance at the prestigious Gewandhaus in Leipzig, Germany in November 1996, the Leipzig Volkszeitung stated "The Romeros: Guardians of the Holy Grail of the Classical Guitar. What the 'Three Tenors' are to the world of opera, The Romeros are to the classical guitar." Whether performing as a quartet, duet, or as soloists in recital and with symphony orchestra, The Romeros prevail as champions in the realm of classical guitar. His Royal Majesty King Juan Carlos I of Spain knighted Pepe and Celin into the Order of "Isabel la Catolica", Spain's highest honor. The official ceremony took place at the University of Southern California on February 11, 2000, and included a gala concert performed by The Romeros. The Romeros are extremely popular with college audiences and make regular appearances on university music series throughout the country as well as on fine arts series nationwide. In New York they have appeared at Carnegie Hall, at Alice Tully Hall in Lincoln Center, at the Metropolitan Museum of Art's Grace Rainey Rogers Auditorium, at the Cloisters in upper Manhattan's Fort Tryon Park and on the Distinguished Artists Series at Rockefeller University. Additionally, they regularly tour throughout Europe and the Far East playing in every major city. Their most recent tours of Europe and the Orient included more than forty concerts; virtually all of the performances were sold out, and one concert in Taipei was attended by over 10,000 people.For over 40 years three generations of Romeros have inspired composers to enrich the repertoire of guitar quartet with orchestra, which includes works by such distinguished composers as Joaquín Rodrigo, Federico Moreno Torroba, Morton Gould, Francisco de Madina, Lorenzo Palomo and others. Fans have seen and heard the Romeros many times on television programs such as The Tonight Show and The Today Show as well as on PBS specials and PBS's telecast of Evening at the Boston Pops.In the words of Spanish composer Joaquin Rodrigo, "The Romeros have developed the technique of the guitar by making what is difficult to be easy; they are, without a doubt, the grand masters of the guitar."
Wednesday, September 9, 2009
Countdown to 60th Season!
In November, we are very excited to launch our new Family Fun Series, with the classic Peter & the Wolf, narrated by Peter Sagal (host of NPR's wildly popular news quiz show, Wait, Wait, Don't Tell Me! and a visit from "Skates", the Chicago Wolves mascot. Bring your kids or your grandkids to this exciting new concert series, which includes pre-concert activities.
Stay tuned for more tantalizing tidbits!
Tuesday, September 8, 2009
A New Season with the ESO Education Programs
Friday, September 4, 2009
All About the ESO's 60th Season Blog
There will be several contributors throughout the season to give you unique perspectives on the many different facets of the ESO - you may even see a few of our guest artists contributing a blog or two about their time in Elgin! In addition to the blog posts we will be posting a series of audio podcasts throughout the season.
One of the great things about this blog is the feedback we receive from you, our readers. Please let us know what you think of our posts so we can plan the kinds of articles and interviews you want to read and hear.
So stay tuned to the ESO 60th Season blog for more information about the music, musicians and orchestra. We are looking forward to seeing you here!